Moors and Christians 2013

Prior to the actual Fiestas de Moros y Cristianos, which takes place from 19 to 28 July this year, there will be a Medieval Market from 15 to 17 July, held in the Calle Castillo, behind the church. The market will be officially opened at 11:30 on Monday 15 July.

As for the Fiestas de Moros y Cristianos themselves, what follows is only a brief outline of the events planned. For a full calendar of events in English, visit this page or pick one of the free printed calendars that can be found all around Guardamar.

The run-up to the last two days can be confusing to people from outside Guardamar, especially with the street battles and peculiar mixture of religion. However, there are a couple of concerts you might enjoy and there is no doubt at all that you will more than impressed by the parades of the last two days. To give you an idea of the costumes, you might like to have a look at my photos from 2011 (and from there you can follow a link to see other years, too).

Friday, 19 July

Starting at 21.30, pomp and circumstance as the Queen of the Fiestas together with others walk from the Plaza Labradores along the Calle Mayor to end up in the Plaza de la Constitución.

22.00 Opening speech by Inmaculada Cases Gómez, of the Hospital Vega Baja.

22.30 Presentation of standards (flags)

23.00 Coronation of the Queen of the Fiestas, including a light, water and fire spectacular.


Saturday, 20 July

22.00 Fancy Dress Parade and competition, starting at the corner of the Calle Mayor and the Calle Norte and passing along the Avenida País Valenciano, to finish in the Plaza Jaume II.


Sunday, 21 July

20.30 Music Concert in the Parque Reina Sofia.


Monday, 22 July

20.30 Choral Concert, including the Aromas de Guardamar choir (presumably in the Parque Reina Sofía, though you should check on this first).


Wednesday, 24 July

20.00 First street battle. Lots of noise. Followed at 21.00 by the entry into the castle (on the Plaza de la Constitución, presumably) by the Christians and its subsequent loss to the Moors.


Thursday, 25 July

11.30 Parade with the Music Society of Guardamar accompanying the Queen of the Fiestas and others through numerous streets, starting in Calle Colón and passing through Calles Gratitud, San José, Inginiero Mira, Ausias March, Las Viñas, Luis Rivera, Mediodía, Vicente Ramos, and Ingeniero Mira again to end in the Plaza de la Constisución.

21.00 Another procession, but more sobre,, passing along C/ Ingeniero Mira, Plaza de Abastos, C/ San Emigdio, C/ Valencia, C/ Mayor, Avda. País Valenciano, C/ Medio día, C/ Vicente Ramos yand ending at the church.

01.00 Firework display on the Playa Roqueta.


Friday, 26 July

20.00 Second street battle. Lots of noise again. This time the Moors enter the castle and the Christians come along to take it from them.


Saturday, 27 July

(This is really what it's all about)

20.30 Moors and Christians Parade. First the Moors, then the Christians, interspersed with marching bands. They leave from the corner of Calle Lepanto and Avenida País Valenciano, marching line-abreast along Avenida País Valenciano, Calle Mayor, and ending at the the crossing of Calle Mayor with Calle Norte.


Sunday, 28 July

19.00 Marching bands parade, starting at the crossing of Calle Mayor with Calle Norte and following the reverse route of the Moors and Christians Parade.

20.00 Moors and Christians Parade. This time the Christians lead the parade, followed by the Moors. Don't think this is a mere duplicate of the previous day's parade: most comparsas wear different costumes on each day.

01.00 Fireworks Display at the castle (the real castle this time!).

David Neale

Roscón de Reyes

Since before Christmas you have probably noticed variously sized, though usually quite large, circular pastries in patisseries and the corresponding sections of supermarkets. These are the so-called roscón de Reyes, which is a traditional cake, baked for consumption on the afternoon of 6 January, the Day of the Three Kings.

Dough is formed into a circle and decorated with pieces of crystallised fruits of various colours, and is also often sliced and filled with cream or confectioner's custard. In addition, a bean and a porcelain figure are hidden in the cake.

As with almost all traditions related to Christmas, the origin of the roscón dates back to earlier pagan traditions and probably to the Saturnalia, the ancient Roman festival in honour of the deity Saturn. At that time, circular cakes made with figs, dates and honey were distributed equally between both plebeians and slaves. Reports indicate that as early as the third century a bean was hidden in the cake and that the person who received the piece containing the bean was named the King of Kings for a predetermined period of time.

It is only since the twentieth century that the cake has been prepared with a filling of cream, or confectioner's custard, or even cabello de ángel (a very sweet pumpkin preserve). A porcelain figurine, usually representing some biblical character, is hidden in the cake, and the tradition of hiding a bean in the cake also remains, though its finder is less fortunate than in earlier times: now they have to pay for the cake, whereas the finder of the figurine is allowed to wear the crown (usually a paper crown is sold with the cake).

David Neale

Spanish Christmas Carols

There is not really a tradition in Spain for the type of Christmas carols that we know in more northerly parts of Europe. Some of those carols are known here and have their own Spanish versions, such as Venid Fieles (Adeste Fiedeles), Al Mundo Paz (Joy To The World) and Noche de Paz (Silent Night), but the real Christmas singing tradition here is based on a large group of songs called Villancicos.

The villancico was a popular form of poetry and singing in Spain, Portugal, and their colonies, for several centuries, starting in the second half of the 15th and continuing into the 18th. The style declined in popularity in more recent times and the term "villancico" gradually came to represent little more than a Christmas carol.

Despite, this degeneration, the medieval musical influence can still be gleaned in the villancicos that remain popular around the Christmas period. This is aided by the often medieval flavour of the music and its instrumentation, which still often consists of little more than a simple drum, a zambomba (a friction drum, or, in Dutch, a rommelpot), and some tambourines (panderetas in Spanish). In the Comunidad Valenciana, a dulzaina might also be used and in Andalucía, the villancico has become particularly popular performed in flamenco style, accompanied by guitars, castanets, hand-clpping and the cajón.

Villancicos are most often sung by groups of children (who, strangely enough, seem to have little musical ability) and this adds to the naivety of the whole. A glorious exception to this rule is provided by the flamenco performers of villancicos, who transform the simple songs into superbly exciting numbers: look out for a group called Raya Real in this respect.

So why not scrap the traditional carols this year and instead go for a more Spanish form of Christmas entertainment? You can find plenty of sites online where you can listen to villancicos, performed both well and badly, and lots of CDs are available in the shops, too, though these are of equally diverse quality.

Navidad Digital is a good place to start. Not only does the site offer many, many villancicos, it also allows you to hear carols in French, German, Italian, Latin and English. (In addition, you will find information about Belenes, recipes for traditional end-of-year fare, and hundreds of photos.)

And here is a short list of some of the more popular and traditional villancicos:

• La Marimorena
• Campana Sobre Campana
• El Burrito Dabanero
• Ya Viene La Vieja
• Los Peces En El Rio
• Arre Borriquito (Arre Burro Arre)
• Alegría Alegría
• Fum Fum Fum
• Rin, Rin
• El Chiquirritín

¡Felices fiestas!

David Neale